Meeting: July 28, 2010
Leticia's house
From Publishers Weekly
Merullo, author of the Revere Beach series and Golfing with God, delivers a comic but winningly spiritual road-trip novel. Otto Ringling is a food-book editor and a happily married father of two living in a tony New York suburb. After Otto's North Dakota parents are killed in a car crash, he plans to drive his ebulliently New Age sister, Cecilia, back home to sell the family farm. But when Otto arrives to pick up Cecilia in Paterson, N.J. (where she does tarot readings and past-life regressions), she declares her intention to give her half of the farm to her guru, Volvo Rinpoche, who will set up a retreat there. Cecilia asks Otto to take Rinpoche to North Dakota instead; after a fit of skeptical rage in which he rails internally against his sister's gullibility, he accepts, and the novel is off and running. Merullo takes the reader through the small towns and byways of Midwestern America, which look unexpectedly alluring through Rinpoche's eyes. Well-fed Western secularist Otto is only half-aware that his life might need fixing, and his slow discovery of Rinpoche's nature, and his own, make for a satisfying read. A set piece of Otto's chaotic first meditation session is notably hilarious, and the whole book is breezy and affecting.
Meeting: March 8, 2010Heidi's House
Amazon.com Review
With precisely 35 canvases to his credit, the Dutch painter Johannes Vermeer represents one of the great enigmas of 17th-century art. The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries--and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.
Girl with a Pearl Earring centers on Vermeer's prosperous Delft household during the 1660s. When Griet, the novel's quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant--and ultimately has Griet sit for him as a model. Chevalier vividly evokes the complex domestic tensions of the household, ruled over by the painter's jealous, eternally pregnant wife and his taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic. Still, Girl with a Pearl Earring does contain a final delicious twist.
Throughout, Chevalier cultivates a limpid, painstakingly observed style, whose exactitude is an effective homage to the painter himself. Even Griet's most humdrum duties take on a high if unobtrusive gloss:
I came to love grinding the things he brought from the apothecary--bones, white lead, madder, massicot--to see how bright and pure I could get the colors. I learned that the finer the materials were ground, the deeper the color. From rough, dull grains madder became a fine bright red powder and, mixed with linseed oil, a sparkling paint. Making it and the other colors was magical.
